![]() The rosary scene is something that even I had never done. Is the rosary scene a reflection of your early life in the Catholic Church? It was an outlet for our anti-social humor. And, in a way, the film was a political act. I wasn't much of a hippie, but I was a yippie-yippies were political. I think it was a parody of what would be considered politically correct today. The hippies that liked it then turned into punks. Well, it was made at the height of the hippie years, but certainly it's a punk movie, even though nobody knew what punk was then. How does the film reflect the social and political realities of life in the late 1960s and early 70s? " didn't want to be a woman-he wanted to be a monster." -John Waters ![]() VICE spoke with Waters to discuss his film career, Lady Divine's legacy, and to ask, after nearly five decades as a moviemaker, what's next. Near the film's end, in a Godzilla-like scene, Divine stalks a sidewalk, terrorizing everyone in sight, before being gunned down by a firing squad to the tune of "America the Beautiful." The film is chock full of Waters's signature dark comedy: Members of Divine's troupe eat puke and take drugs, Divine has lesbian sex in a Catholic church using a rosary as a dildo, and Divine is, at one point, raped by a 15-foot-tall lobster. Eventually, they decide they've grown bored of all conventionality and turn to robbing and murdering their audiences-and each other-instead. ![]() It follows Divine alongside Waters's cast of so-called Dreamlanders, including Mary Vivian Pearce, David Lochary, Mink Stole, Cookie Mueller, and Edith Massey, as they take their traveling fetish circus, "The Cavalcade of Perversion," on the road. Multiple Maniacs, like all of Waters's films, takes place in his hometown of Baltimore.
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